Deciding whether to sign a long-term contract with the World
Wrestling Alliance or return to the Euro-Asian Wrestling Conference
was all that had occupied Jon's mind since things settled down
following his Primetime debut. Despite being back in his hometown
of Sacramento for the first time in four years, he could not stop
weighing the pros and cons of his ultimate occupational decision.
He was happy to spend some time with his parents. And they were
happy to have him at home for this very rare occasion. He realized,
however, that regardless of what company he chose for his full-time
status, this visit with his folks would still be a fleeting moment.
And the moment was growing more elusive with each passing second
as Jon realized he needed to make a decision soon so as not to
jeopardize his standing within the fickle minds of fans and employers.
Jon had the average suburban house to himself as he said goodbye
to his mother who was on her way to open up the gift shop she
owned in Downtown Sacramento. His father, a career military man,
had left for McClellan Air Force Base hours before daybreak. Now,
Jon was alone with his thoughts as he sat in his father's favorite
chair, a blue reclining Lay-Z-Boy, placed ideally in front of
the big screen television in the family room. Jon is wearing black
Nike flip-flop after-workout shoes, brightly patterned royal blue
and gold Mui Tai boxing shorts, and an EAWC T-shirt. His shoulder-length
black hair is pulled back in a tight ponytail as he plans to go
into the garage shortly to use his father's weights for a light
workout. Before he can focus on his workout, though, he realizes
he must spend some portion of the morning working out his internal
situation.
On one hand, Jon had spent the recent years of his career developing
quite a following in Japan. On the other hand, America -- in particular
the WWA -- was the ultimate test of a professional wrestler's
ability to shine. In Japan, he could focus on what he believed
to be the important aspects of the business -- workrate, in-ring
ability, etc. In the WWA, he would be given the chance to prove
that he could rise to the top against different styles from different
regions -- North America, Europe, etc. In Japan, he was always
sure he would be working. In the WWA, he would have tremendous
freedom without relinquishing the guaranteed work. The EAWC schedule
keeps him in top physical condition. The WWA schedule allows time
for those nagging injuries to gradually heal. Each had positives.
Perhaps the negatives would be the deciding factor.
With EAWC or RSW, Jon would spend two weeks of constant travel;
eight-hour bus rides; eating in shitholes. The payoff would come
in the form of a supercard like the one scheduled for tomorrow,
Friday and Saturday at the Tokyo Dome. But even that could be
torturous... especially if he found himself booked on all three
nights. The ultimate payoff would be a shot at either the EAWC
Heavyweight title or the RSW Nihon title, but neither seemed to
be on the immediate horizon. With the WWA in his few short days
of per-appearance work, Jon had earned three times what he was
paid for one month of work in Japan. However, the "payoff"
seemed even further away as WWA relied heavily on it affiliates
for their previously developed fan base -- a demographic primarily
made up of North American fans who were not too familiar with
him.
As Jon stands up, with intent to make his way to the garage, his
mind flashes back to the previous night's house show in which
he faced Tah Murdah in the opening match of the evening...
Tah Murdah attempts a clothesline, but Johnny Nitro counters
with a Japanese armdrag takedown.
Tah Murdah attempts a clothesline, but Johnny Nitro counters with
a Mexican armdrag takedown.
Tah Murdah attempts a clothesline, but Johnny Nitro counters with
a Mexican hiptoss.
Johnny Nitro whips Tah Murdah into the turnbuckle.
Johnny Nitro uses a flip.
Johnny Nitro uses a dropkick to the face on Tah Murdah.
Johnny Nitro hits a Tah Murdah with a European uppercut.
Johnny Nitro hits a Tah Murdah with a European uppercut.
Johnny Nitro hits a Tah Murdah with a European uppercut.
Johnny Nitro whips Tah Murdah into the ropes.
Johnny Nitro uses a Nitro Press on Tah Murdah.
Johnny Nitro executes a somersault legdrop on Tah Murdah.
Johnny Nitro signals for the Nitroclasm.
Johnny Nitro is getting a decent response from the crowd.
Johnny Nitro executes the Nitroclasm on Tah Murdah.
There are a few cheers for Johnny Nitro.
Johnny Nitro is going for the pin.
Barry Alexander counts: One, two, three.
There are a few cheers for Johnny Nitro.
The winner is Johnny Nitro. Time of match:
0:09:12.
"That was decent," Jon
thought to himself as he made his way through the curtain following
his match. "Nothing too great from
the crowd, but they aren't used to me. Smiling to himself:
"I know they have to be impressed with
my offense."
Jon grabbed a towel from a nearby stack as he made his way toward
the locker room area, replaying the match in his mind. He is wearing
his black wrestling boots, covered by black kick pads with white
lettering down the outside reading "NITRO"; black neoprene
knee pads; a black low-cut, thigh-length singlet, showing off
his defined and thick upper legs and athletic upper body; and
black athletic wrap extending from his lower forearms to his knuckles.
His pony tail is a bit tattered after the match. A few steps into
the hallway, he is met by WWA booking agent Jimmy West.
(Jimmy West): Hey,
good match out there.
(Johnny Nitro): [looking around]
Thanks?
(Jimmy West): No,
really. What do you have planned for Sunday?
(Johnny Nitro): [shrugging
his shoulders] Not sure yet.
(Jimmy West): It'll
be your chance to work in front of your hometown.
(Johnny Nitro): Yeah,
but they don't really know me. They'll probably all be there to
see the Delinquentz.
(Jimmy West): [holding out
an envelope] Well, I hope you stick around...
you're a lot of fun to watch.
(Johnny Nitro): [taking the
envelope] Thanks, dude.
(Jimmy West): No
problem. If you need anything, just let me know. I'll see you
around.
(Johnny Nitro): Okay.
As Jon watches West walk away, he glances in the envelope
at the check for his appearance at tonight's house show. He can't
help but smile because he had never been paid so much for less
than 10 minutes of work in his life. A few more steps down the
hall, and Jon is met by an unfamiliar person. Having been in the
business for nearly ten years, Jon has learned to not trust too
many people backstage on your first meeting. Therefore, he is
particularly leery of this man's approach.
(Tommy Mullholland): [smiling and
holding out a business card] Tommy Mullholland...
I enjoyed your match.
(Johnny Nitro): ...
(Tommy Mullholland): [still
extending his hand with the business card] Go
ahead... no harm in taking a card.
Jon takes the card, but does not stop looking the man in
the eyes.
(Tommy Mullholland): Look,
I'm in a bit of hurry right now, but I hope to see you around...
maybe sit down and have a talk?
(Johnny Nitro): ...
(Tommy Mullholland): Well, okay... I'll talk to you later?
Mullholland extends his hand, but immediately retracts
it as Jon is apparently not going to reciprocate. Mullholland
offers a pleasant smile and continues on his way. Jon continues
toward the locker room area, dropping the card in a garbage can
along the way. The pay was great, but the politics were too prevalent.
He had experienced those politics on Sunday when Chas Robertson
no-showed for their tag match. Championship Committee Chairman
Dave Michaelson was prepared to give the match to another team
when Commissioner Jack Lynch deemed that the two members of those
respective teams who were present would compete against Johnny
Storm and Ripper Longshanks. That didn't work out at all. Jon
performed well, particularly against Storm. But, as a team, he
and his "partner" did not fare too well. Christopher
Rommell was on a different page.
Jon finally arrives in the locker room after avoiding an encounter
with Jack Straube. Straube is the equivalent of a used car salesman,
and he was one of the first people Jon had talked to when he arrived
backstage for Sunday's show. Straube... West... Michaelson...
Jamie Middleton... all politicians. "Is
this Parliament, or a wrestling company?" Jon thought
as he settled into a chair in front of monitor playing previously
recorded segments for Coast to Coast. Bobby Starr had always treated
him favorably, but he realized he would be held behind Troy Dallas
if he had to depend on the Texas Legend. Lynch... Starr... Henri
Chartier... Rick Monroe... all great wrestlers in their day, no
more than politicians now. Akira Yoshi and Kenta Choshu never
shunned Jon during his time in Japan, nor did he treat him too
favorably. They simply treated him fairly.
"Fairness... that's all I'm looking
for," Jon thought as he watched a promotional segment
for the upcoming edition of Primetime. "All
I need is a fair shake... I'll create my own opportunity..."
Jon's thoughts are interrupted by Rommell's recent promotional
segment which includes a challenge and some graphic footage which
will more than likely be edited for television...
(Christopher Rommell): ...in
the words of Tom Araya, I promise not to keep you long... I'll
keep you forever. Why, you ask...
Grabbing his belongings and standing up, disregarding
the remainder of the segment, "as a
matter of fact, dude, I didn't ask." Not one week
into his time in the WWA and the "politics" were already
kicking into high gear. Guys handing him business cards... Championship
Committee members and Commissioners re-booking his matches right
before he is scheduled to wrestle... Booking agents "encouraging"
him to appear at every house show... And now, this Rommell guy
wanted to turn on the heat...
The telephone rings, snapping Jon out of his day dream.
He picks the cordless telephone up off of its base, pushes a button
and places it to his ear.
(Johnny Nitro): What's
up?
(Kenta Choshu): Nitro-san.
(Johnny Nitro): Choshu, dude, what's up?
(Kenta Choshu): I
receive word from Yoshi that you should sign contract for month.
(Johnny Nitro): Hold up, broham... I'm still not sure about this
whole thing.
(Kenta Choshu): Yoshi
say you must sign for month because you will miss big show in
Japan and you have situation with Rommell.
(Johnny Nitro): Wait a sec... I didn't ask for this 'situation.'
Dude is trippin'. I just wanted him to tag me 'cuz he was gettin'
his ass kicked. I don't know where all this heat is comin' from.
(Kenta Choshu): The
'heat,' as you call it, will be coming from Choshu and Yoshi if
you do not sign contract for month.
(Johnny Nitro): So whatcha sayin'?
(Kenta Choshu): I
am saying that your time in Japan will not be promising if you
do not do us this favor.
Politics and politicians... they're everywhere these
days. "Looks like I'll be with the
WWA for a while."
